Miles Davis, “Bitches Brew”, 2011, Ed 8, 56 cm x 42 cm
What does music look like?
Like a 3-D take on Jackson Pollock, the latest work by the artist Martin Klimas begins with splatters of paint in fuchsia, teal and lime green, positioned on a scrim over the diaphragm of a speaker.
Then the volume is turned up. For each image, Klimas selects music — typically something dynamic and percussive, like Karlheinz Stockhausen, Miles Davis or Kraftwerk — and the vibration of the speaker sends the paint aloft in patterns that reveal themselves through the lens of his Hasselblad. For this series, Klimas spent about 1,000 shots to produce the final images from his studio in Düsseldorf, Germany. In addition to the obvious debt owed to abstract expressionism, Klimas says his major influence was Hans Jenny, the father of cymatics, the study of wave phenomena.
Untitled (Gypsophila Paniculata), 2007, Ed of 5 (60 cm x 80 cm) + Ed of 2 (220 cm x 170 cm)
Flawlessly arranged flower vases are shot by steel balls and captured at the moment of their destruction. When hit by the projectiles, glass vases shatter, and ceramic and stoneware vases burst into large fragments. What interests Klimas is not so much the moment of impact as the transformation taking place in one seven-thousandth of a second. While the top half of the photograph remains poised in an absolutely harmonious still life, utter chaos has erupted below. The contrast of motionlessness and top speed explodes the triteness of the subject. The simultaneous presence of two distinct states and the improbable serenity of the pictures are positively spellbinding.
Full website: http://www.martin-klimas.de/en/index.html
Love this Swedish artist. Sci-fi mixed with a style of realism that reminds me of Edward Hopper. Really cool!
Click here to see more: http://www.simonstalenhag.se/
[vimeo http://www.vimeo.com/67128474 w=400&h=300]
I love Michael Wolff. He spoke at Design Indaba a couple years back, and was by far the most inspirational speaker for me.
You know how it is – you’ve worked hard on a great ad campaign, it’s all looking great…and then this happens!
CLICK HERE FOR MORE: http://thegapster.co.uk/2013/03/07/when-ad-placements-go-wrong/
Nendo’s Mimicry Chairs bring a new kind of “funky” to museum seating. Take a look at what they did for the V&A in London.
Create a new document, apply a Layer Style on the background layer. Add a Gradient Overlay from black to a dark brown (#443501).
Create a new Layer and apply Filter>Texture>Texturizer. Make sure that the foreground color is white and the background is black. After that, change the Blend Mode to Multiply.
Add some text. I used Times New Roman, and for the “A” I used the “V” letter and flipped it vertically and horizontally.
Now we start creating our gold layer style. We’ll set up the Gradient Overlay first, as shown below.
Now we’ll add a Stroke. For the Fill Type use Gradient. The position of the gradient will vary for different typefaces, so experiment and see what looks good.
Add Bevel and Emboss, as shown below.
Finally, add some Shadow, again following the specs below.
Born in Japan but now living and working in New York City, artist Kumi Yamashita does incredible things with light and shadows. Kumi has an impressive list of solo and group shows sine the late 90s along with a host of permanent collections around the world.
Kumi received her bachelor in fine arts at the Cornish College of the Arts in Washington and obtained her masters in fine art from the Glasgow School of Art in the UK.
In her series entitled Light & Shadow, Kumi uses a single light source along with an assortment of perfectly placed objects to create incredible shadow silhouettes and artwork on walls. Please enjoy this small sample below, and be sure to visit Kumi’s official site for even more amazing artwork.